Buttons Under the Bridge

Sunday, May 26, 2019

A Perceptible Abstract

The pages of The Secret Speech begin with the imminent destruction of a church in Moscow. I don't yet know the context behind this. The first characters are apprehensive, conflicted, and have no way out of participating and witnessing the event. The crowds in the area have a different notion.

As I do when reading - I interrupted myself with thought.

I pictured scenes from the Ireland, Middle East, Africa, and Selma, Alabama. Destroying areas of worship has a far more profound reach than neighborhoods and business districts - not in the loss of life, but rather a deep loss of self. As for the human population goes - we can create more, and we can rebuild. But, sacred areas can never be restored. Sacred spaces are one of a kind. Original. They are like Tibetan Sand Mandalas, the minutes ticking by - all of which will never exist and be experienced again. No other human, nor sunrise or sunset will ever grace the walls - trees- sands and earth. It's a far more significant loss to the individual than it is to the whole of the group.

Well, that's enough ramblings for now. I return to page 5 and finish chapter one.

-- (c)deyanira.



Jesus on a Greyhound, Shelby Lynne
I was on my way to somewhere to the Mexicali sand
A man sat down beside me, he had scars upon his hands
He told me some stories - I told him some lies
Light shone through my darkness, cast shadows from my mind
His eyes they looked right through me
Oh I knew he carried weight
Something real was going down that day
Oh I told him I'm a sinner
He said that's o.k.
I'm not here to change you anyway
He was gone when I turned around
Was it Jesus - Jesus on a Greyhound
Oh we talked about the world gone bad
The troubles we had seen
We talked about the dirt
Brown shoes he wore on his feet
He said I'm tired and weary
I've been riding a long way
Let me rest my eyes now
Let me drift away
He acted Like he knew me
Then he fell asleep
I had no More secrets
I could keep
Oh I told him I'm a sinner
He said that's o.k.
I'm not here to change you anyway
He was gone when I turned around
Was it Jesus - Jesus on a Greyhound
And I'll rise again
Ain't no power on earth can keep me down

And I'll rise, I'll rise again
Oh ain't no death can keep me in the ground
Was that Jesus


Songwriters: Glen Ballard / Shelby Lynne
Jesus on a Greyhound lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd., The Bicycle Music Company

Sunday, May 12, 2019

Unearthed

Can't be afraid of who you are
Who sees
Who knows
You'll suffocate in the despair
Tucked away in a jar
Impossible to please
Easiest to grow
Steady
And, ready
Away from Him
Almost gone, the weeds are
Seeds planted, and life emerges
Breaking through
Breathing air
Clean and quiet

Can't be afraid of who I am
You see
You know
I no longer suffocate with despair
Almost, empty the jar

#unedited #writingsprint #unpolished

-- (c)deyanira.


Read All About It, Part III - Emeli Sande
You've got the words to change a nation
But you're biting your tongue
You've spent a life time stuck in silence
Afraid you'll say something wrong
If no one ever hears it how we gonna learn your song?
So come on, come on
Come on, come on
You've got a heart as loud as lightning
So why let your voice be tamed?
Maybe we're a little different
There's no need to be ashamed
You've got the light to fight the shadows
So stop hiding it away
Come on, come on
I wanna sing, I wanna shout
I wanna scream 'til the words dry out
So put it in all of the papers,
I'm not afraid
They can read all about it
Read all about it, oh
Oh oh oh
Oh oh oh
Oh oh oh
Oh oh oh
Oh oh oh
Oh oh oh
At night we're waking up the neighbors
While we sing away the blues
Making sure that we're remembered, yeah
'Cause we all matter too
If the truth has been forbidden
Then we're breaking all the rules



So come on, come on
Come on, come on,
Let's get the TV and the radio
To play our tune again
It's 'bout time we got some airplay of our version of events
There's no need to be afraid
I will sing with you my friend
Come on, come on
Yeah, we're all wonderful, wonderful people
So when did we all get so fearful?
Now we're finally finding our voices
So take a chance, come help me sing this
Yeah, we're all wonderful, wonderful people
So when did we all get so fearful?
And now we're finally finding our voices
Just take a chance, come help me sing this

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